Directors like to shoot her in lingering closeups, her knotty, expressive face going blank with detachment or flashing with wildness, her eyes staring down her beaky nose like a pair of determined headlights. Her characters are often poised at the crossroads of meekness and ferocity. On camera, though, Moss has an almost alien self-possession, channelling extreme states of trauma, rage, fear, or savagery. A Los Angeles native, she deployed the occasional Valley-girl “Totally!” Everyone calls her Lizzie.
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She snapped gum, cracked jokes, and showed me photographs of her two tangerine cats, Lucy and Ethel. “The Handmaid’s Tale” may be relentlessly gruesome, but Moss’s off-screen presence is as light as tulle. Moss had freshly dyed blond hair and wore a T-shirt that read “Liberté! Egalité! Maternité!” At thirty-nine, she has worked on television sets for more than three decades, and she projects a jaunty professionalism.
The day had been reserved for camera tests, with the crew sorting out such details as the exact shade of red that June’s bloody handprint should leave on a car window. Moss was vetting the corpse in her role as the director of the first two episodes of the season she began directing in Season 4, and she is also an executive producer. “Anyone want a charcuterie plate?” she said, laughing. Moss inspected its exposed shinbones, mangled wrists, and clawed-up chest. The nude silicone body, wheeled out on a metal tray, was his. By Season 5, for which Moss was in preproduction, June has fled to Canada and, along with a pack of former Handmaids, pummelled Fred into oblivion. The first season, hewing to Atwood’s book, introduced June’s life as Offred, renamed to mark her ownership by Commander Fred Waterford, played by Joseph Fiennes. The series, based on Margaret Atwood’s 1985 novel, imagines a repressive theocracy that has overthrown the United States and forced women into regimented roles, including Handmaids, who are ceremonially raped and impregnated by their Commanders.
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It was January, and Moss was on the Toronto set of “ The Handmaid’s Tale,” the Hulu series on which she plays June, an escapee from a patriarchal dystopia known as Gilead. “Wowzers,” Elisabeth Moss said, peering down at a bloodied corpse made of silicone. This content can also be viewed on the site it originates from.